It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. How long Joan remained there she was never quite sure. There was little difference between day and night. After it had been quiet for an hour or so, Madame Lelanne would go out, to return a little later with a wounded man upon her back; and when one died, she would throw him across her shoulder and disappear again up the steps. Sometimes it was a Frenchman and sometimes a German she brought in. One gathered that the fight for the village still continued. There was but little they could do for them beyond dressing their wounds and easing their pain. Joan and the little chemist took it in turns to relieve one another. If Madame Lelanne ever slept, it was when she would sit in the shadow behind the stove, her hands upon her knees. Dubos had been in the house when it had fallen. Madame Lelanne had discovered him pinned against a wall underneath a great oak beam that had withstood the falling débris. His beard had been burnt off, but otherwise he had been unharmed.!

“But quite seriously,” she added, “give it a little more thought—the enlisting, I mean. The world isn’t too rich in kind influences. It needs men like you. Come, pull yourself together and show a little pluck.” She laughed. “A nation works on its stomach. Underfeed your rank and file, and what sort of a fight are you going to put up against your rivals. I want to see England going ahead. I want to see her workers properly fed. I want to see the corn upon her unused acres, the cattle grazing on her wasted pastures. I object to the food being thrown into the sea—left to rot upon the ground while men are hungry—side-tracked in Chicago, while the children grow up stunted. I want the commissariat properly organized.”

Her father had always been very tender, very patient towards her mother, but she had not expected to find him so changed. He had aged and his shoulders drooped. She had been afraid that he would want her to stay with him and take charge of the house. It had worried her considerably. It would be so difficult to refuse, and yet she would have to. But when he never broached the subject she was hurt. He had questioned her about her plans the day after the funeral, and had seemed only anxious to assist them. She proposed continuing at Cambridge till the end of the term. She had taken her degree the year before. After that, she would go to London and commence her work. “It’s dirty work,” Flossie confided one day to Madge Singleton. “I trade on my silly face. Don’t see that I’m much different to any of these poor devils.” They were walking home in the evening from a theatre. “If I hadn’t been stony broke I’d never have taken it up. I shall get out of it as soon as I can afford to.” “It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.”